Download e-book for iPad: Antisemitism: A History by Albert Lindemann, Richard Levy

By Albert Lindemann, Richard Levy

ISBN-10: 0191029319

ISBN-13: 9780191029318

Antisemitism: A heritage deals a readable assessment of a frightening subject, describing and examining the hatred that Jews have confronted from precedent days to the current. The essays contained during this quantity offer an amazing creation to the heritage and nature of antisemitism, stressing clarity, stability, and thematic coherence, whereas attempting to achieve far from the polemics and apologetics that so usually cloud the topic. Chapters were written by means of prime students within the box and have in mind crucial new advancements of their components of workmanship. jointly, the chapters hide the full heritage of antisemitism, from the traditional Mediterranean and the pre-Christian period, during the Medieval and Early glossy classes, to the Enlightenment and past. The later chapters specialize in the background of antisemitism by way of quarter, taking a look at France, the English-speaking global, Russia and the Soviet Union,Eastern Europe, and Nazi Germany, with contributions too at the phenomenon within the Arab international, either earlier than and after the basis of Israel. individuals grapple with the use and abuse of the time period 'antisemitism', which used to be first coined within the mid-nineteenth century yet which has in view that collected various imprecise connotations and confusingly various definitions, frequently utilized retrospectively to traditionally far-off sessions and greatly multiple phenomena. after all, as this publication exhibits, hostility to Jews dates to biblical classes, however the nature of that hostility and the various reasons to which it's been placed have different over timeand usually been combined with admiration - a scenario which maintains within the twenty-first century.

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Sensing the need to reinfuse drama into the proceeding, the prosecution ended its discussion of the Austrian annexation on the afternoon of November 29, 1945, with an announcement of its intent to interject a brief cinematic interlude: “At this point it is planned by our staff to show a motion picture” (2:431) (fig. 5). After a short recess, Thomas Dodd, executive counsel to the American prosecutorial team, described the purpose of the screening: “This film which we offer represents in a brief and unforgettable form an explanation of what the words ‘concentration camp’ imply” (2:431).

Commenting on the Nuremberg proceedings in a letter to the philosopher Karl Jaspers, Hannah Arendt observed, “The Nazi crimes, it seems to me, explode the limits of the law; and that is precisely what constitutes their monstrousness. For these crimes, no punishment is severe enough. It may well be essential to hang Göring, but it is totally inadequate. That is, this guilt, in contrast to all criminal guilt, oversteps and shatters any and all legal systems. That is the reason why the Nazis in Nuremberg are so smug.

The camera lingers upon naked, emaciated bodies strewn upon a barrack floor. Suddenly, one twitches, and one realizes that unlike the other mounds of corpses, these people are alive. It is a jarring moment, as what appears to be a still turns into a moving image. The camera then shifts to a shot of emaciated men moving like phantoms. “These are the survivors” (30:470) comments the narrator tersely (fig. 10). ] Fig. 9. “Believe it or not, this is the first time I have ever been in the movies”: Lt. (senior grade) Jack H.

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Antisemitism: A History by Albert Lindemann, Richard Levy

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