Download PDF by Heinrich Christoph Koch, Johann Georg Sulzer: Aesthetics and the Art of Musical Composition in the German

By Heinrich Christoph Koch, Johann Georg Sulzer

ISBN-10: 051151834X

ISBN-13: 9780511518348

ISBN-10: 0521360358

ISBN-13: 9780521360357

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Extra resources for Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch

Example text

Aristotle long ago noted that all art precedes theory. Even the rules governing an art are known before the general principles upon which they are based. A few lucky artists endowed with genius have been able to produce a variety of works that could please before one recognized the reason for this pleasure. Aristotle was one of the first to draw rules from them. But neither his work in poetry nor that in rhetoric can be considered to constitute a complete theory of these arts. {48} Drawing upon the best examples of speech and poetry from his time, he was able to note carefully what was pleasing and to deduce rules.

But sometimes imitation can attain the goal of art that not everything original can. There are connoisseurs in the pictorial arts who prefer original works over copies, and they are of course Johann Ludwig Gleim (1719-1803) was one of the most prominent of a group of German Rococo poets, active at mid century, known as the "Anacreontics" because of their imitations of the amorous and hedonistic poems of Anacreon. [C] For more on Bodmer and Breitinger, see the Introduction by Thomas Christensen, p.

These have made us so used to specific proportions that any deviation from them strikes us as contradictory or exaggerated. Upon viewing an object that is quite familiar or commonplace, we cannot help but expect to see what we are used to. Thus if something is notably larger or smaller than expected, it will awaken two sorts of ideas that are in some respects contradictory. In things that are determined only by custom, judgments concerning relations can differ from one person to another. However, there can also be judgments concerning relations that originate from the nature of a thing itself.

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Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch by Heinrich Christoph Koch, Johann Georg Sulzer


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