By Mark Christiansen
This is often the one publication out there to concentration solely at the production of visible results for After results clients, and is a one-stop source for somebody who wishes in-depth factors that demystify the area of visible results and the way they have been created, because of veteran writer Mark Christiansen's pleasant and obtainable kind. A completely packed, informative learn, this masterful consultant specializes in explaining the basic options, beneficial properties, and methods which are key to making seamless movie-quality visible results. clients who're ok with After results will discover a beneficial assessment of the basics - coping with pictures, viewing and enhancing layers, animating kind, and extra - to allow them to methods to paintings smarter and extra successfully. Readers of all degrees will research middle recommendations for results compositing together with colour matching, keying, rotoscoping, movement monitoring, emulating the digicam, and concluding with utilizing expressions in After results, written by way of contributor and professional Dan Ebberts. an exceptionally helpful appendix on scripting in After results is integrated to boot, written by way of Adobe engineer Jeff Almasol. the ultimate component to the publication delves into artistic explorations, demonstrating specialist results which are mostly noticeable in motion pictures and video games which readers can re-create. Readers also will locate complete assurance of all that is new and makes this model of Adobe's results programa must-have replace, together with the progressive new Roto Brush, all new results akin to the recent Refine Matte impression, new aid for colour Look-Up Tables, workflows that make the most of the all-new 64-bit help, inclusion of third-party instruments for extra creativity, and masses extra.
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Extra info for Adobe After Effects CS5 Visual Effects and Compositing Studio Techniques
I often work with Info this way, letting it ﬂoat above my Composition viewer panel so that the pixel and position values are directly adjacent. This may be too much hot-rodding for you right away, so now try dragging it over a few of the other panels without letting go. You’ll see violet-colored hit areas—six of them—on each panel, and at the four edges of the screen, teal-colored gutters. If you actually drop the Info panel into any of these areas you may notice a pretty major ﬂaw in all of this freedom— poorly placed, the Info panel can generate a lot of extra wasted space.
19 Shift+RAM Preview is a secondary previewing option with unique settings. The default difference is a Skip setting of 1, which previews every other frame but can be changed to the pattern of your preference. To set a preview this way, either press Shift+0 (on the numerical keypad) or switch to Shift+RAM Preview in the Preview panel. Activate the Hand tool (H, spacebar, or middle mouse button) to move your view of a clip around. To zoom in and out, you can use . Ctrl+= (Cmd+=) and Ctrl+- (Cmd+-) .
There are design decisions behind QuickTime that don’t change unless Apple decides to change them. Some of these amount to a gotcha: . Color management of QuickTime remains (at this writing) a moving target, with MOV files appearing differently when they are moved from one platform, application, or even monitor, to another. “Application” includes those from Apple itself, which has not always been consistent on how to display the format. High Quality in QuickTime Player is unchecked by default.
Adobe After Effects CS5 Visual Effects and Compositing Studio Techniques by Mark Christiansen